Vaccine Proof or Negative Test Required
They Hate Change
Doors: 8:00PM | Show: 9:00PM
with They Hate Change
Since starting out as school boys, this five-piece band has become notorious for stealing every stage with the outrageous, jaw-dropping performances that have become the shame signature. Their riotous two-year journey has included gate-crashing a Glastonbury stage, supporting The Fat White Family, Warpaint and Slaves, performances in Europe, Austin Texas, a nomination for best new artists at the prestigious Anchor awards, headlining their own UK tour and releasing the double A-side single, Gold Hole/The Lick and follow-up, Tasteless. Formed in the playgrounds of South London, Steen met guitarist Sean Coyle-Smith at primary school. They got together with guitarists Josh Finerty and Eddie Green at secondary school. Charlie Forbes –the drummer – was at nursery school with Green. Bonded by their precocious taste in music (one of their first gigs was supporting their hero Mark E Smith of The Fall) during their A level years they were hanging out at Stockwell’ s Queen’ s Head – unofficial home to The Fat White Family. “We were sucked into this alternative world which just crystallised everything we thought about” says Steen. “There were drag queens and jobseekers; people who’ d been in bands, like Alabama3, The Ruts, and the bassist from Stiff Little Fingers – this older generation of people and they saw a kindred spirit in this little group of schoolkid runts.”Along with the Queen’ s head crew, The Fat Whites inspired and mentored them. “In a sea of mundanity the Fat Whites were exciting and dangerous,” says Steen. “It was like watching chaos explode in front of you.”As their foothold in the South London scene grew, shame instigated the daredevil club night, Chimney Shitters and creating a politically outspoken, DIY ethos reflecting a punk spirit in today’ s world. “We are not puppets. Everything we do, we do ourselves,” says former Camberwell student, Steen. “From our songs to our clothes to the artwork for the singles, T-shirts, and fanzines. It’ s all us. We are about creating a movement - it’ s all our blood, sweat and tears.”shame’ s music is controversial, challenging, political and often unprintable. Visa Vulture (written two years ago) is a vicious indictment of Theresa May wrapped up in a happy love song. ‘ Gold Hole’ is a satire of rock narcissism, while ‘ Tasteless’ is about “Living in a world where nobody dares to say anything or do anything different.”. But to be ‘ shamed’ you have to see them live. Their appearance at The Great Escape last May so knocked out the editor of French magazine ‘ Les Inrockuptibles’ that he penned a two-page eulogy prompting a wave of shamemania –a performance at Pitchfork Paris and on Le Grand Journal TV show in the slot usually reserved for the likes of Taylor Swift or Kanye West. A sign of how fast they are steaming their way to the top is this. Last year they gate-crashed Glastonbury (“It was insane, says guitarist Coyle Smith. “We got the directions wrong and ended up walking miles round the perimeter with our instruments before we found the right hole in the fence”) this year they have been invited to play by Billy Bragg on the Leftfield stage. With a UK headline tour under their belt, 40-odd festivals this summer, their first album is being produced by Local Hero, aka Dan Foat and Nathan Boddy best known for techno music and work with James Blake. “As soon as we met them, it clicked,” says Steen. “They had ideas that a stereotypical person producing a guitar band might not necessarily think of. And we never want to be predictable. We always want to do something unexpected.”
An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable.
By visiting our establishment, you voluntarily assume all risks related to exposure to COVID-19.
Proof of Vaccination OR Negative COVID-19 Test Required for Entry
To enter our establishments, you are required to provide proof that you are fully vaccinated*, OR proof of a negative COVID-19 test that was administered by or under the supervision of a healthcare provider within 48 hours of the date on which you are attending a show at Exit/In. Proof of vaccination and test results must bear a name that matches the government-issued identification for the patron that is seeking entry.
Proof of Vaccination
We will accept a picture or scan on your cell phone, photocopy, or original document of your CDC-issued vaccination card.
If you need a replacement vaccine card, you can contact your vaccine provider or local health department.
*To be fully vaccinated, you must be:
14 days after your second shot of either Moderna or Pfizer
14 days after your first shot of Johnson & Johnson
Negative COVID-19 Test
We will accept a printed, or digital copy of a negative COVID-19 test result administered by or under the supervision of a healthcare professional within 48 hours of the date of the show you are attending.
At-home tests will not be accepted under any circumstance.
If our staff has grounds to believe that you have presented fraudulent or falsified documents, we reserve the right to deny you entry into our establishment. If you are unvaccinated, we encourage you to wear a mask even if you have tested negative for COVID within the past 48 hours before the show.
The CDC recommends that masks are worn in public indoor spaces in areas with high transmission rates regardless of vaccination status. The CDC also recommends that unvaccinated people wear masks at all times. We highly encourage mask-wearing for all patrons, and will have free masks available at points of entry.
Valid government-issued photo ID required for entry.
Lineups and times are subject to change.
Any ticket suspected of being purchased for the sole purpose of reselling can be canceled at the discretion of EXIT/IN and/or SeeTickets.
No refunds - No exceptions.
They Hate Change