Nov 01

Resound Presents

Japanese Breakfast

Paper Tiger , Main Stage

San Antonio, TX

Doors: 7:00PM | Show: 8:00PM

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Event Details


From the moment she began writing her new album, Japanese Breakfast’s Michelle Zauner knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world.


How does she do it? With a joyful noise. From pulsing walls of synthgaze and piano on “Sit,” to the nostalgia-laden strings that float through “Tactics,” Jubilee bursts with the most wide-ranging arrangements of Zauner’s career. Each song unfurls a new aspect of her artistry: “Be Sweet,” co-written with Wild Nothing’s Jack Tatum, is a jagged, propulsive piece of ‘80s pop that’s followed by a sweetly melancholic ballad in “Kokomo, IN.” As she rides a crest of saxophones and synthesizers through “Slide Tackle,” a piece of nimble pop-funk run through a New Order lens, Zauner professes her desire to move forward: “I want to be good—I want to navigate this hate in my heart somewhere better.”


In the years leading up to Jubilee, Zauner also took theory lessons and studied piano in earnest for the first time, in an effort to improve her range as a songwriter: “I’ve never wanted to rest on any laurels. I wanted to push it as far as it could go, inviting more people in and pushing myself as a composer, a producer, an arranger.” She pours that sentiment into the album from the very beginning, weaving a veritable tapestry of sound on the opening track “Paprika.” To build such an anthem of self-actualization, Zauner maxed out the technical limits of her recording rig, expelling her anxieties and egoism with layers upon layers of triumphant horns and marching snares. “How’s it feel to be at the center of magic? To linger in tones and words?” she ponders, conjuring the widescreen majesty of Kate Bush. “I opened the floodgates and found no water, no current, no river, no rush!”


Later, on the kooky, terrifyingly prophetic jam, “Savage Good Boy,” Zauner reduces the excess of modern capitalism to an emotional level, sarcastically imagining the perspective of a billionaire trying to convince his lover to join him underground as the apocalypse unfolds. “I want to make the money until there’s no more to be made/And we will be so wealthy, I’m absolved from questioning/That all my bad behavior was just a necessary strain/They’re the stakes in a race to win.”


“I don’t want to weave politics into my music in a way that feels cheap, but I couldn't make something that doesn’t comment on the reality we live in,” says Zauner. “I think that you need to push yourself to care, and that’s part of what this album is about: If you want change, in anything, you need to go to war for it.”


At the end comes “Posing for Cars,” one of the longest, most visceral Japanese Breakfast songs to date. In its muted opening, Zauner quietly re-embraces impassioned facets of youth—wistful daydreaming, fierce loyalty—atop a bed of slowly-strummed guitars. Those same feelings pour out of her fingertips as she erupts into a cathartic, nearly three-minute-long solo to close out the record, with gradual swells of distortion that evoke the arena-sized guitars of bands like Wilco or Sonic Youth.


Jubilee is an album about processing life and love in the quest for happiness, and how that process sometimes requires us to step outside of ourselves. “Savage Good Boy” isn’t the only time Zauner takes on a persona; On the cavernous masterpiece “Posing In Bondage,” she imagines a woman left behind in the confines of an empty house, traversing the blurred lines between domesticity and dominance as she sings to an absent lover. Meanwhile, “Kokomo, IN” was written from the perspective of a small-town Indiana boy, forced to say goodbye to a girlfriend who’s shipping off to study abroad. But throughout Jubilee, Zauner is hardly fictionalizing her lyrics, instead pouring her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolution—these things take real time, and real effort. And Japanese Breakfast is here for it.


RESOUND PRESENTS OFFICIAL COVID-19 POLICY:

  • Proof of a negative COVID-19 PCR test result will be required to attend all Resound shows. The negative test result must be obtained within 72 hours (3 days) of the event. 
  • Patrons who are fully vaccinated may show proof of full COVID-19 vaccination instead of proof of negative test. A person is considered fully vaccinated 14 days after the second shot of Pfizer / Moderna or single shot of J&J.
  • We are also requiring masks to be worn indoors at all venues, and when not eating or drinking. 

Please note that vaccination is not required to attend Resoundshows. Upon entry to the venue for each show you are required to present:

• A negative COVID-19 PCR test result obtained within 72 hours (3 days) of the event

OR

• Your vaccine card

• A clear and legible photocopy of your vaccine card

• Photo of your vaccine card on your phone

• A digital vaccine passport or record

We also ask that you not attend any event if any of the following is true for you or anyone in your party:

  • Within 14 days before attending the event you have tested positive, or been exposed to someone who has tested positive for, COVID-19;
  • Within 48 hours prior to attending the event, you have experienced symptoms of COVID-19 (e.g., a fever of 100.4F or higher, cough, shortness of breath or difficulty breathing, chills, repeated shaking muscle pain/achiness, headache, sore throat, loss of taste or smell, nasal congestion, runny nose, vomiting, diarrhea, fatigue or any other symptoms associated with COVID-19 identified by the Centers for Disease Control and Prevention)
  • Within 14 days prior to attending the event, you have travelled to any international territory identified by federal or applicable state or local governments as being subject to travel or quarantine advisories due to COVID-19. 

If you have questions about the COVID-19 vaccines or need resources to find a vaccination location near you, please visit www.vaccinefinder.org.


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Event Location

Directions

Paper Tiger, Main Stage

2410 N St Mary's St, San Antonio, TX, 78212

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