Oct
18

Joshua Ray Walker

The Historic Grants Lounge at Grant's Lounge

Macon, GA

Show: 8:00PM

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Event Details

On his new album See You Next Time, Texas-bred singer/songwriter Joshua Ray Walker shares an imagined yettruthful portrait of a brokedown honky-tonk and themisfits who call it home: barflies and wannabe cowboys,bleary-eyed dreamers and hopelessly lost souls. His third full-length in three years, the album marks the finalinstallment in a trilogy that originated with Walker’s globally acclaimed 2019 debut Wish You Were Here and itsequally lauded follow-up Glad You Made It (the #5 entry on Rolling Stone’s Best Country and AmericanaAlbums of 2020 list).“The whole idea with the trilogy was to use the honky-tonk as a setting where all these different characterscould interact with each other,” says Walker, who drew immense inspiration from the local dive bars he firststarted sneaking into and gigging at as a teenager growing up in East Dallas. “In my mind, this album’s takingplace on the night before the bar closes forever—the songs are just me taking snapshots of that world, and allthe moments that happen in it.”Like its predecessors, See You Next Time came to life at Audio Dallas Recording Studio with producer JohnPedigo and a first-rate lineup of musicians, including the likes of pedal-steel player Adam “Ditch” Kurtz andrhythm guitarist Nathan Mongol Wells of Ottoman Turks(the country-punk outfit for which Walker sidelinesas lead guitarist). The album’s immaculately crafted but timelessly vital sound provides a prime backdrop forWalker’s storytelling, an element that endlessly blurs the lines between fable-like fiction and personalrevelation. “I learned a long time ago that writing from a character’s perspective lets me examine things aboutmyself without ever feeling too self-conscious aboutit,” he points out. Closely informed by the tremendousloss he’s suffered in recent years, See You Next Time emerges as the most powerful work to date from anextraordinarily gifted songwriter, imbued with equal parts weary pragmatism and the kind of unabashedlyromantic spirit that defies all cynicism.On the album-opening “Dallas Lights,” Walker presents a potent introduction to the vast andsometimes-harrowing emotional terrain of See You Next Time. “I used to hang out in Lower Greenville, whichis a neighborhood in Dallas with a lot of homelesspeople,” he says of the song’s origins. “One of theguysthere knew someone who’d passed away and there was nobody to claim the body: no wife, no family, nokinfolk at all. I was really struck by how terrible that was, and over the years it became a song abouthometown pride, and wanting to die where you lived.” Anchored by the heartrending fiddle work of HeatherStalling, “Dallas Lights” ultimately lends a bit of glory to that tragedy, its chorus lyrics unfolding as their ownresolute prayer (“Lord, don’t bury me deep/Under the sycamore tree/Burn Me/Spread Me/Where the citycan be seen”).In its nuanced exploration of so many disparate moods—grief and celebration, sorrow and surrender—SeeYou Next Time takes an entirely unexpected turn on its lead single “Sexy After Dark.” Fueled by a fiery hornsection, the wildly catchy track hits a brilliant balance of bravado, soul-stirring confession, andbrutallyself-aware humor. “There’s a deep history of sexy-crooner country songs played by dudes who were prettyunsexy by all accounts but still had so much swagger,” says Walker. “‘Sexy After Dark’ was my attempt atwriting a song like that, a fun song I’d want to crank up and party to. It all came back to wanting to reallypush the boundaries of what I could do on this album.”In a stunning tonal shift, See You Next Time then delivers its most devastating moment, the intensely intimate“Flash Paper.” “My dad had a four-year battle with lung cancer and passed away in November, and before hedied he gave me a cigar box full of notes and cards and lots of random little things, like a ribbon fromareading competition from when he was in elementary school,” says Walker. “He also put in a flash drive witha video he’d recorded, which he told me not to watch until Christmas. My dad was from East Texas and kindof a good-old-boy type, and the video was really vulnerable for him. Some of it was similar to things he’d saidover the years, as he dealt with his illness and the two of us grew closer, but that song’s mostly aboutmewishing I’d heard more of those things while he wasstill here.”With its untethered textures and beautifully sprawling guitar tones, “Flash Paper” bears a mesmerizing qualitythat magnifies its raw emotion. “That was definitely the hardest one for me to write on the album—I brokedown multiple times in the process,” says Walker, whose voice slips into an achingly tender howl at thechorus. The final track recorded for See You Next Time, it’s also one of several songs that Walker pennedin thedead of night, while his home was undergoing massive reconstruction following the rupture of a hot-waterpipe. “Half my house was torn apart, and I was living at an extended-stay hotel, but I couldn’t get any writingdone there,” he says. “I didn’t want to move back the recording sessions, so I ended up going back to myhouse late at night and staying up for hours to finish some songs. I remember thinking at the time that it waspretty depressing—writing at 4 a.m. in this torn-apart house with no furniture and no heat in the middle ofwinter—but looking back, I think it’s good that I was forced to be totally alone and just think.”Another profoundly heavy-hearted track, “Gas Station Roses” reveals the poetic sensibilities within Walker’ssongwriting. “There’s a double meaning to that song—it’s partly referring to the roses you’d find in a gasstation around Valentine’s, but it’s also about how gas stations get away with selling crack pipes by hidingthem in those glass tubes with the origami flowers,” he explains. Layered with bright piano melodies andPedigo’s cascading banjo rolls, “Gas Station Roses” offers a clear-eyed meditation on the hardship ofaddiction (“We’re like gas station roses/You can wrap us however you’d like/If you prop us up in prettyposes/We’ll really catch the light”). “I grew up around a lot of kids who had parents with substance-abuseissues, and in high school a lot of my friends gothooked on heroin,” says Walker. “This song in particular isabout crack, but the overall story is addiction leading to a loss of innocence.”A working musician since the age of 13, Walker firstbegan honing his lyrical talents after the death of hisbeloved grandfather. “My granddad’s the one who got me into music, and I wrote a song called ‘Fondly’ inthe parking lot of the hospital he was in,” recallsWalker, who was 19 at the time. “Back then I was mostlyplaying rock and punk and blues and metal, but I quickly realized that the songs I was writing were countrysongs.” Raised on bluegrass, he lists Texas legends like Guy Clark and Billy Joe Shaver among his essentialinspirations, but also notes the undeniable influence of country superstars likeAlan Jackson and George Strait(“All those ’90s country songs were so hook-driven, they really bored into my brain,” he says). With the arrivalof Wish You Were Here (an album that spent 12 consecutive weeks on the Americana radio albums chart),Walker won lavish praise from outlets like NPR Music and began opening for such artists as Colter Wall andCharley Crockett, in addition to headlining tours in the U.S. and Europe. Hailed by No Depression as “analbum that outshines expectations for what country music can, and should, sound like,” Glad You Made Itearned the admiration of leading critics like AnnPowers (“a new voice who really impressed me”), with itssingles featured on such coveted playlists as Spotify’s Indigo and Tidal’s Best of Country 2020. Over the years,Walker has continually captivated crowds with his magnetic live show, a feat that finds him joined bymusicians like bassist Billy Bones and drummer Trey Pendergrass (both of whom played onSee You NextTime). “I’m really proud of the band on this record, and I’m also proud that I didn’t just go out and get hiredguns from Nashville or Austin,” Walker says. “They’re guys I’ve played with for 10 or 15 years, and at thispoint we’re all like family.”True to that communal spirit, See You Next Time closes out on its sing-along-ready title track: a fitting end toWalker’s trilogy and its tribute to the fleeting, yet possibly life-changing, connection to be found at yournearest honky-tonk. “There’s not a lot of pretensionat a honky-tonk, and there’s much more interaction thanin other bars—you see a lot less people on their phones,” says Walker. “We’re there to talk to other humans,put a song on the jukebox and dance with a stranger, get to know your bartender and tell them all yourproblems. I really wanted to capture that feeling on this record—I want everyone to feel like they know allthese characters, and that they’re somehow better understood because these songs exist.”

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Grant's Lounge

560 Poplar St, Macon, GA, 31201

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Talent

Joshua Ray Walker