Oct 23

Red Wanting Blue

at The Music Hall at World Cafe Live

Philadelphia, PA

Show: 8:00PM

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Event Details

COVID INFORMATION: Until further notice, all guests will be required to show proof of full COVID-19 vaccination for entry to World Cafe Live. Masks must be worn by all attendees at all times except when eating or drinking. By purchasing tickets, you acknowledge that everyone in your party will follow any regulations in place at time of show (subject to change), and will not be entitled to a refund for noncompliance. Please check here for current venue protocol. Thanks for your support & cooperation in ensuring a safe return to live music!


*Rescheduled from 05/02/20.  All tickets purchased for the original date are valid for the rescheduled date.*


$20-$30 ADV // $22-$33 DOS + FEES

Doors 7pm
Show 8pm

Red Wanting Blue

“In every odyssey, there comes a time when you must accept that what you are pursuing is no longer a rational decision,” Scott Terry writes in the liner notes of Red Wanting Blue’s new album, ‘The Wanting.’ “It’s a choice that does not feel like a choice. It is a hunger.”

It’s been more than twenty years since Red Wanting Blue first began their long, strange odyssey, and while much has changed for Terry and the rest of the band over those two remarkable decades, the hunger remains. Like the North Star, it’s fixed in the firmament, a guiding light perpetually out of reach. Hunger has been their fuel, their motivation, their essence. Hunger has steered every step of the group’s extraordinary journey, and now, it’s at the heart of their most powerful record yet.

Produced by acclaimed singer/songwriter Will Hoge, ‘The Wanting’ showcases Red Wanting Blue at their finest, with Terry’s epic, heartfelt vocals soaring above the band’s gritty, driving rock and roll. Alternately triumphant and melancholic, the songs are both muscular and nuanced, equally at home blasting from a car stereo as they are drifting through a pair of headphones late on some lonely night. Though the record draws on many of the band’s traditional strengths—indelible melodies, infectious hooks, explosive performances—the making of it pushed Red Wanting Blue far outside their comfort zone and forced them to take an unprecedented, nearly year-long break from touring.

“We’re a touring band,” Terry explains matter-of- factly. “We’re on the road all the time, so much so that it’s painful when we’re not. When I was younger, I used to get heart palpitations if I was in the same place for more than four days.”

It’s that insatiable appetite for the road that helped Red Wanting Blue establish themselves as one of the indie world’s most enduring and self-sufficient acts. Hailed as “Midwestern rock heroes” by American Songwriter, the band has spent most of their career operating outside of the confines of the traditional music industry, earning their legion of lifelong fans through decades of relentless touring. Over the course of ten studio albums, they brought their passionate, unforgettable live show to every city and town that would have them, blazing their own distinctive trail through the American heartland as they built up the kind of fanatically dedicated audiences normally reserved for arena acts. Along the way, they notched appearances everywhere from Letterman to NPR and climbed all the way up to #3 on the Billboard Heatseekers chart. In 2016, they celebrated with a 20th anniversary retrospective album/concert film entitled ‘RWB20 Live at Lincoln Theater,’ which captured the band in all their glory at a sold-out hometown show in Columbus, OH.

Despite the group’s distinctly Midwestern beginnings, the origins of ‘The Wanting’ lie not in Ohio, or even in Brooklyn (where Terry currently resides), but rather in Mexico. It was there, on a day off during the band’s sixth annual trip aboard the Rock Boat cruise, that the seeds of collaboration with fellow performer Will Hoge were sown.

“We’ve gotten really close with Will over the years, and on that trip he basically just said, ‘I think we should make a record together,’” remembers Terry. “He told me, ‘I’m a fan of your live show and I get the energy that your band is about, and I feel like if you give me the darts, I’ll get closer to the bullseye than any other producer you’ll meet.’”

The band decided that if they were going to switch things up and work outside their own studio, then they were going to go all in. For the first time ever, they cleared their touring schedule for the better part of a year to focus solely on writing, recording, and mixing the most fully realized material of their career. Hoge made multiple pre-production trips to Columbus while the band rehearsed and recorded extensive demos, and when it was finally time to cut the album, they headed south for their first studio sessions in Nashville, TN.

“We made the album in the big room at Sound Emporium,” says Terry. “We were like kids in a candy shop in there. We’d gotten really used to recording in our warehouse studio in Columbus, and suddenly we didn’t have to worry about any of those old limitations any more. We had this big beautiful space where we could all play together live, and we knew exactly what we wanted to do as soon as we got in there.”

One listen to ‘The Wanting’ and that clarity of vision is immediately apparent. The record opens with the rousing “High and Dry,” a feel-good rocker that also serves as something of a mission statement for a fiercely independent group that’s as much a band as they are a family, with Terry singing, “I want to stand on my own two feet again / And when I mess up / That’s when I hope my friends will pick me up.” On “Ulysses,” the band channels early Phil Collins with pulsing synths and larger-than-life drums, while the tender “Glass House” crescendos from a delicate whisper to a triumphant roar, and the dreamy “I’ve Got A Feeling It Hurts” calls to mind the hypnotic drive of REM mixed with a touch of Jayhawks jangle.

“This is really the most collaborative album our band has ever made,” Terry says of the wide range of influences. “It’s the first record where every member really contributed to the writing, which is a huge deal because the music got so much better. It’s everyone’s voices this time, and I feel like we all matured as writers because of it.”

“Younger Years” offers a dose of youthful confidence that absolutely begs for an audience sing-along, while “When We Choke” and “This Is The End” both spin dark takes on the weight of love, but perhaps the emotional highlight of the album comes with “The Real Thing,” a passionate ode to the present.

“It’s a reminder that just because you’re not where you thought you’d be, that doesn’t mean you’re not where you’re supposed to be,” says Terry. “It’s a love song, but like most of my love songs, it can be just as much about your significant other as it is about your band.”

If it’s hunger that drives Red Wanting Blue, then it’s love that sustains them: love for the band, love for their fans, love for the journey. After all, desire is nothing without love, and ‘The Wanting’ is nothing if not a testament to the power of desire. "It is beyond reason that the heart wants what it wants...yet still it persists,” Terry concludes in the liner notes. “I imagine wherever there is the breath of life....with it will be the wanting."

Red Wanting Blue is:

Scott Terry (Vocals, Tenor Guitar, Ukulele)

Mark McCullough (Bass, Chapman Stick, Vocals)

Greg Rahm (Guitar, Keyboards, Vocals)

Eric Hall (Guitar, Lap Steel, Vocals)

Dean Anshutz (Drums & Percussion)


The Naked Sun

Website | Facebook | Twitter | Instagram | YouTube

The Naked Sun may or may not have coined the phrase, but “honest rock” has unquestionably been their ethos since their start back in 2011—and few bands embody its spirit like they do. With songs that echo the rawness and sincerity of the cities around which its members grew up—Detroit, Baltimore, Philadelphia—the band blends the basics of roots rock and folk with layers of bolstering piano and organ, intricate pedal steel leads, and melodic choruses backed by satisfying vocal harmonies. Rooted in the songwriting of frontman Andrew Wesley Harris, The Naked Sun strive equally toward Petty’s pop genius, Springsteen’s storytelling, Dylan’s social consciousness, and the energy of My Morning Jacket.

In January of 2018 the band released their debut LP, War with Shadows. Recorded at Miner Street Recordings in Fishtown, the album features a lineup of both local and national acclaim. The album was produced by Brian McTear (War on Drugs, Matt Pond PA, Kurt Vile, Sharon Van Etten) and features the drumming of Pat Berkery (Clap Your Hands Say Yeah, War on Drugs) and the cello of Eve Miller (Matt Pond PA). The album was met with both critical acclaim and national AAA radio play. 

In 2019 the band released the 5 song EP, Avec la Verite, Vous Avez le Droit d’Aimer (With Truth, You Have the Right to Love). Songwriter, Andrew Wesley Harris, was inspired to write this collection of songs after witnessing the relationships some of his closest friends suffered in the aftermath of the secrets people attempt to keep from one another. Harris and the band headed back to Miner Street Recordings for this effort, but this time with engineer Matt Poirier, and again with a little help from Pat Berkery on the first single, “Frozen Sand.” Two songs are intimate home recordings recorded in Harris’s basement. 

2020 was a tumultuous year, but the Naked Sun still managed to quietly release yet another EP entitled, Sun Rising. The bulk of these songs were recorded with Dave Downham (Pattern is Movement, Beach Slang, Pet Symmetry) at Gradwell House Recording Studio in South Jersey. This release was, in many ways, a homecoming for the band: live recordings, an Americana sound, and working with the man (Downham) who both songwriter Harris and guitarist, Tim Campbell, have been working with since their early teens. 

The band is currently working on their upcoming second full length album (Spring 2022) entitled Modern Life. The title track and very first single from the Modern Life LP will be released Friday, October 22, 2021. With 4 EP’s, 1 full length, and numerous collaborations already released, the Naked Sun has remained a staple in the Philadelphia music scene since their inception in 2011. 



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The Music Hall at World Cafe Live

3025 Walnut St, Philadelphia, PA, 19104

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