Presented by The Double E at The Essex Experience Green
“My whole adult life has been this journey of trying to figure out where home is,” Montbleau reflects. “I think I’ve finally found it.”
Set to roll out across four distinct EPs, Wood, Fire, Water, and Air marks Montbleau’s first studio release since putting down permanent roots in Burlington, Vermont, where he recently purchased a house after more than two decades of living on the road. While much of the material here was written in fits and starts over the past several years, it’s clear that the desire for stability was very much on Montbleau’s mind even before he settled on the banks of Lake Champlain, and the songs reflect a maturity and self-awareness that can only come from the difficult work of rigorous self-examination. Montbleau is quick to credit therapy for his growth of late, but he sings about more than just himself here, mixing sly humor and deep revelations as he meditates on the ties that bind all of us perfectly imperfect humans together. Taken as a whole, it’s a broad, insightful collection balancing boisterous rock and roll energy with intimate folk introspection, a sprawling, magnetic record all about listening, letting go, and living life.
“I’ve been through a lot over these past few years,” says Montbleau, “and I’ve experienced some monumental shifts in my perspective. The only way for me to write about it was to just get as honest and vulnerable as I could.”
Honesty and vulnerability have been hallmarks of Montbleau’s career since the early 2000’s, when he first began performing around his native Massachusetts. In the years to come, he’d go on to collaborate with artists as diverse as Martin Sexton, Trombone Shorty, Tall Heights, and Galactic, and rack up more than 100 million streams on Spotify alone. Along the way, Montbleau would share bills with stars like Tedeschi Trucks Band, Ani DiFranco, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples, but it was his ecstatic headline shows—often more than 200 of them a year—that solidified his reputation as a roots rock powerhouse and an inexorable road warrior. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.”
That positivity would serve Montbleau well on the long and winding road to Wood, Fire, Water, and Air. Work on the record first began in the summer of 2019 at the gorgeous Guilford Sound studio in southern Vermont, where Montbleau and producer Adam Landry (Deer Tick, Rayland Baxter) laid down basic tracks with a rotating cast of players. At the time, Montbleau had little idea what he was getting himself into.
“I honestly didn’t know what this project was going to be for a very long time,” he explains. “All I knew was that I had a bunch of songs I was really excited about, and that I wanted to take a new approach to recording them.”
For much of his career, Montbleau had worked fast and loose in the studio, capturing music as raw and organically as possible. This time around, though, he found himself craving a bolder, more fully realized sound, and by the time he finished basic tracking in Guilford, it was clear that his work had only just begun. What followed was a yearlong odyssey of adding, subtracting, revising, and reimagining, as Montbleau and mixer/engineer James Bridges fleshed out the sessions with a broad array of instruments, textures, and colors.
“It took a long time for me to get to a place where I could trust myself enough to stretch out like this,” says Montbleau, who experimented with synthesizers and drum machines and added piano and mandolin to his repertoire for the project. “I’d always kind of deferred to other people’s expertise in the studio, but learning to trust my ears and get my hands dirty with the music was a totally empowering experience.”
As the songs took shape, it became clear to Montbleau that there were discrete themes at work within the larger collection, both sonically and emotionally. Rather than release the entire 15-track record all at once, then, he decided he would unveil the album more deliberately over the course of four separate EPs, each inspired by an element of the natural world. First up: Wood, a rustic, earthy trio of tracks taking stock of just what it means to be human in these bewildering times. Songs like the playful “Perfect” and soulful “Ankles” wrap weighty ruminations inside deceptively lighthearted packages, and the spare, stripped-down arrangements make for an ideal bridge between Montbleau’s earlier work and the more adventurous sounds to come on the album’s second installment, Fire. Infused with an infectious energy and feel-good pop optimism, Fire showcases the rock and roll side of Montbleau’s personality, celebrating the joy and liberation that comes with learning to live in the moment.
“The songs on Fire were a chance for me to just let loose and have fun,” says Montbleau. “They were an opportunity to not overthink things for a change, to trust my gut and follow what felt good.”
The arrival of Water quickly cools things down, though, bringing the music back to Earth with a more sober, meditative quality. Montbleau wrote several of the tracks while doing medicine work in Peru, and the healing, regenerative nature of that trip is obvious on songs like the dreamy “Forgiveness,” which features extensive keyboard contributions from avant-garde icon John Medeski. By the time we reach the album’s final chapter, Air, Montbleau seems to have found peace within himself, coming to terms with the transient, fleeting nature of our existence. “Just know that you are not alone,” he sings on “The Dust,” “and that’s all you get to know now.”
“Even though COVID kind of upended everything with my career, this past year has been a rare chance for me to stay put for a while and focus on what really matters,” says Montbleau, who recently invited his girlfriend and her daughter to move in with him in Burlington. “I feel like I finally have a real family life now, and I’m living on stable ground for the first time.”
That doesn’t mean the hunt for purpose and meaning is over. Ryan Montbleau will always be a seeker, and that’s alright. As Wood, Fire, Water, and Air so beautifully demonstrates, sometimes the search is its own reward.
THE ESSEX EXPERIENCE
Located on the campus that used to be known as The Essex Outlets and Cinema, The Essex Experience is an effort to reclaim retail spaces and turn them into cultural centers. You can spend a whole day here with Black Flannel Brewery, Black Flannel Distillery, Magic Man Cannabis Cafe, Uncommon Coffee, Arthound Gallery, The Mad Taco, The Double E Performance Center, Essex Cinemas, and so much more.
The Essex Experience has been hard at work during the pandemic to prepare our spaces for the return of community gatherings. A new stage will be gracing our green by the beginning of the summer, and we're excited to throw some parties.
IT'S NO SECRET THAT THE EVENTS INDUSTRY HAS BEEN UNIQUELY IMPACTED BY THE COVID 19 PANDEMIC. AS AN INDUSTRY THAT RELIES ON BRINGING PEOPLE TOGETHER, SITTING EMPTY FOR MORE THAN A YEAR HAS BEEN TOUGH. IT IS EXTREMELY IMPORTANT THAT WE ALL FOLLOW GUIDELINES TO CONTINUE THIS PATH TOWARDS NORMALCY - NO MATTER HOW MUCH WE WANT THE PANDEMIC TO BE OVER, ITS NOT - AND THE RISK OF CLOSING BECAUSE OF COVID IS EVER LOOMING. PLEASE - BE SMART, BE SAFE, AND PLEASE LISTEN TO OUR VENUE GUIDELINES
- This event is placed entirely on The Green but may spill over into the parking occasionally, The Green has become an even more special place to us in the last year, as it has allowed The Double E to continue to host live music, entertainment, and community events while in observance of social distancing guidelines
- Face masks are required anytime you exit your pod.
- Please plan on arriving with the group of folks you would like to be seated with, ticket holders are required to arrive at the show with the others in their pod.
- When you arrive and park in the Essex Experience parking lot, you will be ushered to your designated pod and be included to social distance throughout the show.
- We encourage that you bring low back lawn chairs and blankets
The Double E Performance Center takes Coronavirus seriously. We recognize that the success Vermont has experienced is because of the respect Vermonters have shown for the required guidelines. Trust Us - we wish we could pack our green too! Until that time comes, we're eager to continue to support live music, while keeping people healthy. Please follow guidelines while at our venue or you will be asked to leave.
Please reach Info@DoubleEVermont.Com for questions