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Album four is often when a beloved rock band shifts gears, frustrating longtime fans, searching fora more “mature” sound. STATE CHAMPS raise a joyous middle finger to that trope with Kings OfThe New Age, an enthusiastic and confident reminder of what the Upstate New Yorkers do best.
Younger than Gen X punk heroes like Billie Joe Armstrong and Mark Hoppus; older than Willowand Trippie Redd; the foursome balances energy and experience. As a new generation resurrectsangsty unrest on TikTok and Machine Gun Kelly puts guitars back on the mainstream chart, STATECHAMPS double down on the vibrant pop-punk they’ve championed for a decade. They wereseveral steps ahead of the seismic sonic shift. Kings Of The New Age will now claim the crown.
Derek DiScanio, Tyler Szalkowski, Ryan Scott Graham, and Evan Ambrosio deliver a strongmessage. Produced by Drew Fulk (Lil Wayne, A Day To Remember, Ice Nine Kills) aka WZRD BLD,Kings Of The New Age is a big album, without sacrificing the heart cherished by a legion of fans.
Starting in bedrooms and basements in 2010, STATE CHAMPS quickly ascended as leaders of anew scene owing as much to early Fall Out Boy and Green Day as latter-day Warped Tour bands.In 2022, Kerrang! declared them “one of the most authentic and well-respected bands in poppunk.”Over the course of their career, STATE CHAMPS delivered their music and heartfeltmessage on extensive tours with bands like Fall Out Boy, 5 Seconds Of Summer, A Day ToRemember, and Simple Plan; three different Warped Tours; and a co-headliner with Neck Deep.
Kerrang! gave the band’s first album, The Finer Things, a rare 5K review in 2013. Rock Sound andAlternative Press served up adoring cover stories. Around the World and Back entered the BillboardCurrent Rock Albums chart at No. 3 and made Rock Sound’s Top 10 Albums of 2015. Living Prooffollowed in 2018. Billboard called them “modern-day pop-punk torchbearers” the same year. Theyare an arena-ready rock band with the freedom of punk’s soul. 2022 belongs to STATE CHAMPS.
Welcome to The New Age.
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