Mar
05

The Deslondes

Casbah

San Diego, CA

Doors: 7:30PM | Show: 8:30PM

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    This ticket type will be available on 03/05/2023 12:00 AM PST
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Event Details

We shed old skin in order to evolve and move forward. We let go of who we were in the past and
embrace who we’re meant to be now. The Deslondes have taken such steps as not only
bandmates, but as brothers. The New Orleans quintet—Dan Cutler, Sam Doores, Riley Downing,
Cameron Snyder, and John James Tourville—have weathered ups, downs, and everything in
between only to strengthen the bond between them.
Infusing everything from saxophone, flute, and synth to string arrangements and a full drum kit
for the first time, the group naturally progress and evolve in real-time on their third full-length
offering, Ways & Means [New West Records].
“The title reminds me of being young, getting into the music business, going through everything,
and coming out of it,” Riley observes. “We’re taking a look right, left, and back at ourselves.”
“We were letting go of a bunch of old dynamics that left us burnt out,” adds John James.
“However, we’re focused on being productive and on the other side.”
The “other side” might just be their brightest yet. The Deslondes revealed their self-titled debut
to widespread tastemaker applause during 2015. However, they really hit their stride on Hurry
Home in 2017. Right out of the gate, Noisey proclaimed, “The Deslondes have found a
comfortable sound to create art in, and it serves them well, while Rolling Stone noted, “The
Deslondes’ take on country relies on a gritty, grimy mix of early rock ‘n’ roll and lo-fi R&B. In
addition to praise from American Songwriter, Paste, The Boot, and more, the record closed out
the year on Uncut’s “Favorite Albums of 2017.
Then, the musicians opted to quietly take a break. In the meantime, Sam shared his self-titled
debut as Riley also served up his solo album, Start It Over. Maybe it was something in the air,
but 2021 seemed like the perfect moment for the boys to pick up where they left off.
“I reached out to everybody individually,” recalls John James. “Dan’s got kids, and I’ve got kids.
We’d been touring for a long time. Once I called, it seemed like everyone was really into it. We
were excited about doing it again.”
“I was in Lawrence, KS visiting my folks at the height of the Pandemic,” Sam remembers. “I was
walking down Massachusetts Avenue on a Sunday morning and wondering what I had left to
give the world. Perhaps, I was experiencing a mild existential crisis from living off
unemployment and facing the cancellation of my album release tours. Luckily, my phone rang.
John James asked how I’d feel about making another Deslondes record with so much genuine
enthusiasm it was contagious. We all owe it to him. Instinctually, a resounding ‘Hell Yes’ came
out of my mouth.”
Missing the camaraderie, the guys congregated at old haunt The Tigermen Den. Together, they
worked out the songs before they entered the Bomb Shelter with longtime producer AndriaTokic. This time around, members brought in a host of ideas and agreed upon the process before
recording.
“We came to some personal agreements about how everything was going to go down in
advance,” Dan elaborates. “From experience, we realized what we liked and who was good at
what. In terms of the studio, it was probably the easiest album we’ve ever made. Usually, we’re
too busy touring to put a lot of thought into pre-production and ideas. This was definitely the
most prepared we’ve ever been beforehand.”
The preparation shines on the likes of the first single “South Dakota Wild One.” On the track,
harmonica wails over acoustic strumming. Simultaneously, Riley’s grizzled and gruff delivery
simmers above a slow burning beat punctuated by a soulful lead.
“It’s a nostalgic song about getting into music, traveling, and running into the special people
who were around then, but aren’t around now,” notes Riley.
Elsewhere, the opener “Good To Go” saunters on airy electric piano towards a heavenly and
hummable saxophone solo.
“If ‘South Dakota Wild One’ was the beginning of traveling and playing music, ‘Good To Go’ is
where we’re at now,” Riley continues. “We’re still out here. We’re still good to go. The songs
bookend each other.”
Then, there’s “Dunes.” A twang-y riff underscores a fifties-style melody as guitar echoes. “It’s
about the arc of a love affair—a relationship that went wrong eventually,” Dan says. “It explores
the symmetry of a relationship and how things come full circle in our life.”
The dreamy “Five Year Plan” nods to Harry Nilsson with its dusty bliss, plinking keys, and
cinematic orchestration. Album closer “Hero” takes flight on soaring slide guitar and wistful
vocal delivery.
“I grew up in a real tight-knit family in the country,” Riley goes in. “We all pitched in to take care
of my grandmother at the end of her life. We’re our own heroes to our families and friends. I
needed to write the song to remind myself you can be your own hero. If it helps me, maybe it will
help someone else.”
In the end, The Deslondes draw on their own familial union to forge a similar connection with
listeners.
“To us, this is family,” John James leaves off. “It’s a part of our lives. When you hear our music, I
hope you feel like you’re hanging out with us. The band’s back together now, and it just feels
good.”
“Riley, JJ, Dan, and Cam are my brothers,” Sam concurs. “We’ve all been through so much
together. I don’t think any of us will have that experience with another group of people again in
our lives. Sometimes, we drive each other crazy of course, but we’re family. I’d take a bullet for
any of those geezers.

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Event Location

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Casbah

2501 Kettner Blvd, San Diego, CA, 92101

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Talent

The Deslondes